By Peter Brown
A significant other to Medieval English Literature and tradition, c.1350-c.1500 demanding situations readers to imagine past a narrowly outlined canon and traditional disciplinary obstacles.
A ground-breaking choice of newly-commissioned essays on medieval literature and culture.
- Encourages scholars to imagine past a narrowly outlined canon and standard disciplinary boundaries.
- Reflects the erosion of the conventional, inflexible boundary among medieval and early sleek literature.
- Stresses the significance of making contexts for interpreting literature.
- Explores the level to which medieval literature is in discussion with different cultural items, together with the literature of alternative nations, manuscripts and religion.
- Includes shut readings of frequently-studied texts, together with texts through Chaucer, Langland, the Gawain poet, and Hoccleve.
- Confronts many of the controversies that workout scholars of medieval literature, similar to these hooked up with literary conception, love, and chivalry and war.
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Additional info for A Companion To Medieval English Literature And Culture
Hanawalt. In their introduction, the editors boast of how combining new subjects of study with improved theoretical constructs has made ﬁfteenth-century English studies ‘one of the most dynamic growth areas in both literary and historical scholarship’: This may be, in part, because the fourteenth century has been overworked, but it may also be that medievalists, now somewhat more theory-literate, are better equipped to address the challenges of this difﬁcult period. The extraordinary range of subject matters in this volume .
Although Norton is noted for its extensive historical introductions, the texts themselves exhibit a focus on the poetry traditionally rated ‘best’, along with a sampling of prose, drama, and writings by women. The critical judgement implicit in the Norton Anthology asserts that while texts by women must be acknowledged, relatively little else has changed in what we ought to read. 2 Its ‘The Middle Ages’ section includes everything in Norton save Everyman and Noah (for which Mankind and the York Cruciﬁxion are substituted) with quite a few additions.
Violence often becomes a response to what is perceived as Other, that is, what is peculiar, disturbing, resistant, transgressive, or foreign. Because these notions are personal, critical foci vary according to what it is about ourselves we wish to uncover in the past. 10 For example, Sarah Salih offers an illuminating discussion of gender in regard to the distinctly medieval professions of virginity. Drawing upon Bynum’s assertion that medieval religious women ‘strove not to eradicate body but to merge their own humiliating and painful ﬂesh with Critical Approaches 21 that ﬂesh whose agony, espoused by choice, was salvation’, Salih queries whether ‘ﬂeshly abjection is the only position medieval women can adopt’.