By Marta Jecu
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Additional resources for Architecture and the Virtual
My work is mainly about fragility, but I also have an obsession with documentation, which seems to be a contradiction. Usually after I’ve finished a project, I do some drawings of the space. These drawings are like sketches, but they come after. They are not documentation in the sense of recording a reality, because when I do a drawing, I change what really happened initially in the space. If these constructions are models, then they are making visible an idea, and these small document drawings I do afterwards are a way to document the possibilities that this installation created, and the many ideas that it carries latently.
The physical space as a space of action, Böhme explains, is experienced as a playground, as a space of possibility for the subject and can be, at the same time, concrete and abstract (for example as social space). The space becomes for the acting subject the sphere of his immediate acts (Böhme 2004: 134). The space from the perspective of the ‘I’ position does not define the nature of the space itself, but the ‘how’ of the existence of the subject. Virtual space is forcing, for Böhme, a differentiation between the space of physical presence and the space of medial representation.
For Taguchi, a conjunction of relations is essential for the access to the virtual space. He comments upon this spatial intensity in an interview with Naokin, published in the Japanese journal Tokyo Art Beat. It’s all about relationships basically, between things and people, people and people and so on. I haven’t published it anywhere else but I do have a concept which guides all my artistic activity regardless of the material I’m using or the context I’m presenting the work: ‘to intentionally induce spontaneouslygenerated relationships that emerge between all things’.